![]() The bubble economy of 1980s Japan also had a hand in the advancement of kankyō ongaku. For artists like Yoshimura, Ojima and Ashikawa, these ideas became the foundation for their musical works, which were heard not only on records and in live performances, but also within public and private spaces where they intermingled with the sounds and environments of everyday life. Emerging fields like soundscape design and architectural acoustics opened up new ways in which sound and music could be consumed. ![]() In the 1970s, the concepts of Brian Eno’s “ambient” and Erik Satie’s “furniture music” began to take hold in the minds of artists and musicians around Tokyo. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa, who deserve a place alongside the indisputable giants of these genres. Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. Various: Kankyo Ongaku (Light in the Attic) LP Oh ya… if you don’t follow us on Instagram, WHY NOT?! And now you know. The Kankyo Ongaku box is perfect music for watching the snow fall. Anyway, it’s a long weekend, so come down for dig and get some new wax. Alright, killer new arrivals this week! And it’s, sort of, starting to warm up a little bit.
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